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Australia considers banning the use of smart glasses in government buildings

By Thomson Reuters Sep 17, 2026 | 7:06 AM

By Christine Chen

SYDNEY, Sept 17 (Reuters) – Australia is considering barring the use of camera-equipped smart glasses in government workplaces due to privacy and security concerns, in what ​it said could be the first ban of its ‌kind.

The government will separately convene a roundtable of the country’s biggest employers, including Microsoft, Commonwealth Bank, telecoms firm Telstra and energy company AGL as it consults on a set of guidelines for AI in the ‌workplace.

Prime ​Minister Anthony Albanese said it was important ⁠that Australia, which last ⁠year became the first place in the world to ban social media for teens, put the “right protections in place as technology evolves”.

“I am proud that Australia is setting the ​world standard for digital safety,” he said in a statement on Thursday.

While smart glasses have been lauded by some sections ⁠of the community such as the ⁠visually impaired, there have been growing concerns globally ​that the devices can be used to covertly record and ​photograph people without their consent.

Norway’s capital Oslo banned the ‌glasses in schools last month, and the federal government is considering regulating their use.

England and Wales have prohibited the use of Meta smart glasses in courts.

Katy Gallagher, Australia’s minister for public ⁠service, said she had asked the public service commission for advice on whether smart glasses capable of recording should be prohibited in government ⁠workplaces.

“Smart glasses can ‌raise legitimate privacy and security concerns, particularly ⁠because of their ability to record and capture ​information, ‌and we need clear and consistent guidance ​for public servants,” ⁠she said.

Companies selling smart glasses are also facing legal challenges from the private sector. A German advocacy group has filed a criminal complaint against Meta and others involved in selling the Meta devices, citing privacy laws.

(Reporting by Christine Chen in Sydney; Editing ​by Edwina Gibbs)