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Tennis-Tiafoe dreaming bigger in latest US Open semi-final berth

By Thomson Reuters Sep 8, 2026 | 9:16 PM

By Amy Tennery

NEW YORK, Sept 8 (Reuters) – Frances Tiafoe has higher hopes for himself in his latest U.S. Open run, after a nerve-testing five-set comeback on Tuesday to reach the semi-final ​for a third time and underscore his mettle at the ‌year’s final major.

The 11th seed has provided treasured memories for the home fans in New York, from his dragon-slaying defeat of Rafa Nadal en route to the 2022 semi-final, to his blockbuster win over compatriot Ben Shelton two years ago.

But the ‌Cincinnati ​runner-up this year is ready to write a ⁠new chapter this time around, ⁠after a roller-coaster comeback performance against Alex Michelsen over five sets.

“I’m just a different person in general. Those two runs (to the semi-finals) were great, something I will cherish forever, but I’m not that ​person who I was when I made one in 2022 and when I made one in ’24. I’m not that person. I’m excited to ⁠see what this me does,” said Tiafoe, who ⁠plays either Shelton or defending champion Carlos Alcaraz next.

“I ​have higher hopes for myself. So yeah, it’s great. The tournament is ​still going. There’s a lot more tennis to be played, ‌a lot more sets to be played, and a lot more physical things to be done. We’re going to enjoy this, but we got to keep going.”

Tiafoe advances with the ever-present American men’s major drought looming ⁠over him, with U.S. fans having seen their hopes lifted — and then dashed — many times over the 23 years since Andy Roddick last lifted the ⁠trophy in New York.

“I ‌mean, the women’s side, they’ve been killing it for ⁠so long. It’s not something new,” said Tiafoe, ​giving a ‌wide smile as he rattled off a list ​of achievements from ⁠his female counterparts.

“But the guys, we’ve been doing pretty well. Someone is always going deep in majors… I mean, hopefully we can do the thing, and that’s ultimately try to do the thing after two weeks. That’s like the next big step.”

(Reporting by Amy Tennery in New York; Editing ​by Muralikumar Anantharaman)