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Venice Biennale to challenge EU funding cut over Russian pavilion row

By Thomson Reuters Jul 22, 2026 | 4:08 AM

ROME, July 22 (Reuters) – The Venice Biennale said on Tuesday it would challenge a European Union decision to withdraw a €2 million ($2.3 million) grant in response to the return of Russia to ​its 2026 edition.

The event — one of the world’s top cultural ‌events featuring international exhibitions in art, architecture, cinema, dance, music and theatre — has been at the centre of a political and media storm since March, when organisers announced that Russia would be allowed to reopen its pavilion in Venice for the ‌first ​time since Moscow’s invasion of Ukraine in 2022.

The ⁠Italian government sharply criticised ⁠the move, while the European Commission warned it would suspend or terminate funding worth €2 million if the Russian pavilion returned.

The Biennale’s organisers said on Tuesday the decision by the European Education and Culture Executive ​Agency (EACEA) had long been anticipated and that they would “assert our rights in all competent authorities” to contest the move.

The European Commission confirmed ⁠earlier on Tuesday that it had decided ⁠to revoke the funding following legal advice and a ​recommendation from Brussels.

“Cultural events financed with European taxpayers’ money should safeguard democratic values ​and promote dialogue, diversity and freedom of expression, values that ‌are not respected in present-day Russia,” said Commission spokesperson Thomas Regnier, according to Italian media.

The Biennale rejected the links, noting that the grant co-financed projects run by its cinema department which “have nothing to do with ⁠Russia’s participation”.

“The measure has no significant impact on the budget, accounts or planned and ongoing activities of La Biennale di Venezia, which remain confirmed,” it added.

Biennale ⁠President Pietrangelo Buttafuoco ‌defended the decision not to block Russia’s return, describing ⁠the festival as “a space of coexistence for the whole ​planet” ‌without censorship.

Even so, when the exhibition opened in ​May, visitors were ⁠allowed inside the Russian pavilion only during four days of press previews. For the remainder of the six-month event, access to the building is restricted, with visitors viewing video projections on its exterior walls while live music filters out from the windows.

($1 = 0.8765 euros)

(Reporting by Giulia Segreti in RomeEditing ​by Keith Weir)