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Tennis-Monfils aims to emulate Ronaldo, LeBron after Roland Garros farewell

By Thomson Reuters May 25, 2026 | 10:45 PM

May 26 (Reuters) – Gael Monfils is determined to emulate the likes of Cristiano Ronaldo and LeBron James by playing into his 40s and hopes to play at Wimbledon, Montreal and the ​U.S. Open before bringing down the curtain on his career ‌on home soil at the Paris Masters.

The Frenchman, who turns 40 in September, bade a fond farewell to Roland Garros after going down 6-2 6-3 3-6 2-6 6-0 to compatriot Hugo Gaston in the first round on Monday, walking off to ‌a ​standing ovation that celebrated a career that spanned ⁠two decades.

Monfils will retire ⁠at the end of the season as he seeks to manage his body into his 40s.

“Why do I want to get to the States? Because I want to play until 40. My wish is ​to be an athlete that plays until 40 years old,” Monfils said.

“Like Stan (Wawrinka), LeBron, Cristiano, (Patrice) Evra, like all of the athletes who ⁠have managed to continue their sport until ⁠the age of 40.

“That’s what I want to do. ​You know that whatever happens this summer, I’m locked in to train.”

The former ​world number six, who has enjoyed some of his best ‌results on clay, acknowledged that the surface has become more challenging in recent years.

While he hopes to secure a wildcard for the U.S. Open, he also plans to play Wimbledon and Montreal.

“Hopefully Wimbledon. Then need ⁠to decide if we go to Washington or not,” he said.

“I think we will ask Montreal, hopefully. I want to say

goodbye to Montreal. Obviously I will ⁠ask the French ‌Federation to have the U.S. Open wildcard. Hopefully I ⁠will have this one.

“Asia is a bit blurry, to ​be ‌honest. Then the end of the year, I ​can tell you ⁠I will play Lyon, the new tournament. Nicolas (his agent) wants me to play Vienna, and then hopefully, Paris.”

The 13-time ATP title winner reached the French Open semi-finals in 2008 and was a key part of France’s Davis Cup runs in 2010 and 2014.

(Reporting by Suramya Kaushik in Bengaluru; Editing ​by Thomas Derpinghaus)