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‘Spider-Noir’ TV series sews superhero suspense with noir-style story

By Thomson Reuters May 26, 2026 | 5:08 AM

By Danielle Broadway

LOS ANGELES, May 26 (Reuters) – Nicolas Cage says his new live-action series “Spider-Noir” will offer viewers a distinctive experience, with the option to watch it ​in black and white — “like an old movie” — or ‌in highly saturated color designed to heighten visual intensity. He hopes the noir presentation will engage younger audiences who may be less familiar with black-and-white films.

Film noir, a 1940s American style, is known for ‌its ​cynical protagonists, crime-driven plots, and existential ⁠themes. Cage said he crafted ⁠his performance as the title character, specifically for black and white, calling the dual-format release “a little revolutionary.”

The series, developed by Oren Uziel for Prime Video and MGM+, ​is based on the Marvel Comics character Spider-Man Noir. It follows an older, hard-edged Peter Parker — here named Ben ⁠Reilly — working as a private ⁠investigator in 1930s New York while confronting his ​past.

Cage stars alongside Lamorne Morris as newspaper editor Robbie Robertson, Li Jun ​Li as nightclub singer Cat Hardy, and Brendan Gleeson ‌as Irish mob boss Silvermane.

After being inspired by the character’s popularity in Sony’s animated “Spider-Verse” films by Phil Lord and Christopher Miller, Uziel was keen to bring the duo on board ⁠as producers of “Spider-Noir.”

“I think that character really popped in those (“Spider-Verse”) movies, and they (Lord and Miller) were excited to try and create a standalone ⁠show for it,” ‌Uziel said.

Cage, Uziel, and Gleeson all hope ⁠the show brings Marvel and noir audiences together, ​introducing ‌younger viewers to the genre while drawing noir ​fans into ⁠the superhero world.

“I would hope it’ll open up a world for both directions,” Gleeson said, noting his optimism that “Spider-Verse” fans will gravitate toward some noir films and vice versa.

The series begins streaming on Wednesday on Prime Video.

(Reporting by Danielle Broadway and Matt SilversteinEditing ​by Rod Nickel)